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Four Years-第11章

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sition; doing as an achievement of learning and of exquisite taste what their predecessors did in careless abundance。 all were pre?raphaelite; and sometimes one might meet in the rooms of one or other a ragged figure; as of some fallen dynasty; simeon solomon; the pre? raphaelite painter; once the friend of rossetti and of swinburne; but fresh now from some low public house。 condemned to a long term of imprisonment for a criminal offence; he had sunk into drunkenness and misery。 introduced one night; however; to some man who mistook him; in the dim candle light; for another solomon; a successful academic painter and r。 a。; he started to his feet in a rage with sir; do you dare to mistake me for that mountebank? though not one had harkened to the feeblest caw; or been spattered by the smallest dropping from any huxley; tyndall; carolus duran; bastien?lepage bundle of old twigs; i began by suspecting them of lukewarmness; and even backsliding; and i owe it to that suspicion that i never became intimate with horne; who lived to bee the greatest english authority upon italian life in the fourteenth century and to write the one standard work on botticelli。 connoisseur in several arts; he had designed a little church in the manner of inigo jones for a burial ground near the marble arch。

though i now think his little church a masterpiece; its style was more than a century too late to hit my fancy at two or three and twenty; and i accused him of leaning towards that eighteenth century that taught a school of dolts to smooth; inlay; and clip; and fit till; like the certain wands of jacobs wit; their verses tallied。

another fanaticism delayed my friendship with two men; who are now my friends and in certain matters my chief instructors。 somebody; probably lionel johnson; brought me to the studio of charles ricketts and charles shannon; certainly heirs of the great generation; and the first thing i saw was a shannon picture of a lady and child arrayed in lace; silk and satin; suggesting that hated century。 my eyes were full of some more mythological mother and child and i would have none of it; and i told shannon that he had not painted amother and child but elegant people expecting visitors and i thought that a great reproach。 somebody writing in the germ had said that a picture of a pheasant and an apple was merely a picture of something to eat; and i was so angry with the indifference to subject; which was the monplace of all art criticism since bastien?lepage; that i could at times see nothing else but subject。 i thought that; though it might not matter to the man himself whether he loved a white woman or a black; a female pickpocket or a regular municant of the church of england; if only he loved strongly; it certainly did matter to his relations and even under some circumstances to his whole neighbourhood。 sometimes indeed; like some father in moliere; i ignored the lovers feelings altogether and even refused to admit that a trace of the devil; perhaps a trace of colour; may lend piquancy; especially if the connection be not permanent。

among these men; of whom so many of the greatest talents were to live such passionate lives and die such tragic deaths; one serene man; t。 w。 rolleston; seemed always out of place。 it was i brought him there; intending to set him to some work in ireland later on。 i have known young dublin working men slip out of their workshop to see the second thomas davis passing by; and even remember a conspiracy; by some three or four; to make him the leader of the irish race at home & abroad; and all because he had regular features; and when all is said; alexander the great & alcibiades were personable men; and the founder of the christian religion was the only man who was neither a little too tall nor a little too short but exactly six feet high。 we in ireland thought as do the plays and ballads; not understanding that; from the first moment wherein nature foresaw the birth of bastien?lepage; she has only granted great creative power to men whose faces are contorted with extravagance or curiosity or dulled with some protecting stupidity。

i had now met all those who were to make the nineties of the last century tragic in the history of literature; but as yet we were all seemingly equal; whether in talent or in luck; and scarce even personalities to one another。 i remember saying one night at the cheshire cheese; when more poets than usual had e; none of us can say who will succeed; or even who has or has not talent。 the only thing certain about us is that we are too many。

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Four YearsXVI

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i have described what image??always opposite to the natural self or the natural world??wilde; henley; morris copied or tried to copy; but i have not said if i found an image for myself。 i know very little about myself and much less of that anti?self: probably the woman who cooks my dinner or the woman who sweeps out my study knows more than i。 it is perhaps because nature made me a gregarious man; going hither and thither looking for conversation; and ready to deny from fear or favour his dearest conviction; that i love proud and lonely images。 when i was a child and went daily to the sextons daughter for writing lessons; i found one poem in her school reader that delighted me beyond all others: a fragment of some metrical translation from aristophanes wherein the birds sing scorn upon mankind。 in later years my mind gave itself to gregarious shelleys dream of a young man; his hair blanched with sorrow studying philosophy in some lonely tower; or of his old man; master of all human knowledge; hidden from human sight in some shell?strewn cavern on the mediterranean shore。 one passage above all ran perpetually in my ears??

some feign that he is enoch: others dream he was pre?adamite; and has survived cycles of generation and of ruin。 the sage; in truth; by dreadful abstinence; and conquering penance of the mutinous flesh; deep contemplation and unwearied study; in years outstretched beyond the date of man; may have attained to sovereignty and science over those strong and secret things and thoughts which others fear and know not。

mahmud i would talk with this old jew。

hassan thy will is even now made known to him where he dwells in a sea?cavern mid the demonesi; less accessible than thou or god! he who would question him must sail alone at sunset where the stream of ocean sleeps around those foamless isles; when the young moon is westering as now; and evening airs wander upon the wave; and; when the pines of that bee?pasturing isle; green erebinthus; quench the fieryshadow of his gilt prow within the sapphire water; then must the lonely helmsman cry aloud ahasuerus! and the caverns round will answer ahasuerus! if his prayer be granted; a faint meteor will arise; lighting him over marmora; and a wind will rush out of the sighing pine?forest; and with the wind a storm of harmony unutterably sweet; and pilot him through the soft twilight to the bosphorus: thence; at the hour and place and circumstance fit for the matter of their conference; the jew appears。 few dare; and few who dare win the desired munion。

already in dublin; i had been attracted to the theosophists because they had affirmed the real existence of the jew; or of his like; and; apart from whatever might have been imagined by huxley; tyndall; carolus duran and bastien?lepage; i saw nothing against his reality。 presently having heard that madame blavatsky had arrived from france; or from india; i thought it time to look the matter up。 certainly if wisdom existed anywhere in the world it must be in some such lonely mind admitting no duty to us; muning with god only; conceding nothing from fear or favour。 have not all peoples; while bound together in a single mind and taste; believed that such men existed and paid them that honour; or paid it to their mere shadow; which they have refused to philanthropists and to men of learning?

i found madame blavatsky in a little house at norwood; with but; as she said; three followers left??the society of psychical research had just reported on her indian phenomena??and as one of the three followers sat in an outer room to keep out undesirable visitors; i was kept a long time kicking my heels。 pr
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