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Four Years-第5章

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y were famous people and there are many like stories; and even a horrible folk story; the invention of some connaught peasant; that tells how sir william wilde took out the eyes of some men; who had e to consult him as an oculist; and laid them upon a plate; intending to replace them in a moment; and how the eyes were eaten by a cat。 as a certain friend of mine; who has made a prolonged study of the nature of cats; said when he first heard the tale; catslove eyes。 the wilde family was clearly of the sort that fed the imagination of charles lever; dirty; untidy; daring; and what charles lever; who loved more normal activities; might not have valued so highly; very imaginative and learned。 lady wilde; who when i knew her received her friends with blinds drawn and shutters closed that none might see her withered face; longed always perhaps; though certainly amid much self mockery; for some impossible splendour of character and circumstance。 she lived near her son in level chelsea; but i have heard her say; i want to live on somehigh place; primrose hill or highgate; because i was an eagle in my youth。 i think her son lived with no self mockery at all an imaginary life; perpetually performed a play which was in all things the opposite of all that he had known in childhood and early youth; never put off pletely his wonder at opening his eyes every morning on his own beautiful house; and in remembering that he had dined yesterday with a duchess and that he delighted in flaubert and pater; read homer in the original and not as a school?master reads him for the grammar。 i think; too; that because of all that half?civilized blood in his veins; he could not endure the sedentary toil of creative art and so remained a man of action; exaggerating; for the sake of immediate effect; every trick learned from his masters; turning their easel painting into painted scenes。 he was a parvenu; but a parvenu whose whole bearing proved that if he did dedicate every story in the house of pomegranates to a lady of title; it was but to show that he was jack and the social ladder his pantomime beanstalk。 〃did you ever hear him say marquess of dimmesdale?〃 a friend of his once asked me。 〃he does not say the duke of york

with any pleasure。〃

he told me once that he had been offered a safe seat in parliament and; had he accepted; he might have had a career like that of beaconsfield; whose early style resembles his; being meant for crowds; for excitement; for hurried decisions; for immediate triumphs。 such men get their sincerity; if at all; from the contact of events; the dinner table was wildes event and made him the greatest talker of his time; and his plays and dialogues have what merit they possess from being now an imitation; now a record; of his talk。 even in those days i would often defend him by saying that his very admiration for his predecessors in poetry; for browning; for swinburne and rossetti; in their first vogue while he was a very young man; made any success seem impossible that could satisfy his immense ambition: never but once before had the artist seemed so great; never had the work of art seemed so difficult。 i would then pare him with benvenuto cellini who; ing after michael angelo; found nothing left to do so satisfactory as to turn bravo and assassinate the man who broke michael angelos nose。

 。。



Four YearsIX


i cannot remember who first brought me to the old stable beside kelmscott house; william morris house at hammersmith; & to the debates held there upon sunday evenings by the socialist league。 i was soon of the little group who had supper with morris afterwards。 i met at these suppers very constantly walter crane; emery walker presently; in association with cobden sanderson; the printer of many fine books; and less constantly bernard shaw and cockerell; now of the museum of cambridge; and perhaps but once or twice hyndman the socialist and the anarchist prince krapotkin。 there too one always met certain more or less educated workmen; rough of speech and manner; with a conviction to meet every turn。 i was told by one of them; on a night when i had done perhaps more than my share of the talking; that i had talked more nonsense in one evening than he had heard in the whole course of his past life。 i had merely preferred parnell; then at the height of his career; to michael davitt who had wrecked his irish influence by international politics。 we sat round a long unpolished and unpainted trestle table of new wood in a room where hung rossettis pomegranate; a portrait of mrs。 morris; and where one wall and part of the ceiling were covered by a great persian carpet。 morris had said somewhere or other that carpets were meant for people who took their shoes off when they entered a house; and were most in place upon a tent floor。 i was a little disappointed in the house; for morris was an old man content at last to gather beautiful things rather than to arrange a beautiful house。 i saw the drawing?room once or twice and there alone all my sense of decoration; founded upon the background of rossettis pictures; was satisfied by a big cupboard painted with a scene from chaucer by burne jones; but even there were objects; perhaps a chair or a little table; that seemed accidental; bought hurriedly perhaps; and with little thought; to make wife or daughter fortable。 i had read as a boy in books belonging to my father; the third volume of the earthly paradise and the defence of guinevere; which pleased me less; but had not opened either for a long time。 the man who never laughed again had seemed the most wonderful of tales till my father had accused me of preferring morris to keats; got angry about it and put me altogether out of countenance。 he had spoiled my pleasure; for now i questioned while i read and at last ceased to read; nor had morris written as yet those prose romances that became; after his death; so great a joy that they were the only books i was ever to read slowly that i might not e too quickly to the end。 it wasnow morris himself that stirred my interest; and i took to him first because of some little tricks of speech and body that reminded me of my old grandfather in sligo; but soon discovered his spontaneity and joy and made him my chief of men。 to?day i do not set his poetry very high; but for an odd altogether wonderful line; or thought; and yet; if some angel offered me the choice; i would choose to live his life; poetry and all; rather than my own or any other mans。 a reproduction of his portrait by watts hangs over my mantlepiece with henleys; and those of other friends。 its grave wide?open eyes; like the eyes of some dreaming beast; remind me of the open eyes of titians ariosto; while the broad vigorous body suggests a mind that has no need of the intellect to remain sane; though it give itself to every phantasy; the dreamer of the middle ages。 it is the fool of fairy 。。。 wide and wild as a hill; the resolute european image that yet half remembers buddhas motionless meditation; and has no trait in mon with the wavering; lean image of hungry speculation; that cannot but fill the minds eye because of certain famous hamlets of our stage。 shakespeare himself foreshadowed a symbolic change; that shows a change in the whole temperament of the world; for though he called his hamlet fat; and scant of breath; he thrust between his fingers agile rapier and dagger。

the dream world of morris was as much the antithesis of daily life as with other men of genius; but he was never conscious of the antithesis and so knew nothing of intellectual suffering。 his intellect; unexhausted by speculation or casuistry; was wholly at the service of hand and eye; and whatever he pleased he did with an unheard of ease and simplicity; and if style and vocabulary were at times monotonous; he could not have made them otherwise without ceasing to be himself。 instead of the language of chaucer and shakespeare; its warp fresh from field and market; if the woof were learned; his age offered him a speech; exhausted from abstraction; that only returned to its full vitality when written learnedly and slowly。 the roots of his antithetical dream were visible enough: a never idle man of great physical strength and extremely irascible??did he not f
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